Artificial intelligence gets into the cinema with the algorithm set in the great Federico Fellini

Artificial intelligence (AI) is fully in everyday life and now finds in the cinema a new space to be exploited and used, something that was explored in the short film Fellini Forward, which tries to recreate the aesthetics of the Italian master Federico Fellini with the help of algorithms.

The short was presented last Wednesday at the Venice Film Festival and will have a screening at the New York Film Festival on September 29, after hard work that included filmmakers, former Fellini collaborators, mathematicians, programmers and family members. of the late director, who protected their name in this project that was financed by Campari. The material, after being screened in the city of the Big Apple, will be available on an on-demand platform.

“As a director, it was especially fascinating to see the creative output of the AI. It made me feel as if the teacher himself was sitting next to me, sharing his vision, ”he told the news agency. Telam the director Maximilian Niemann.

For his part, mathematician Marc D’Souza, explained: “Machines, and AI models in particular, can assimilate huge amounts of data and see or act on patterns in a relatively short period of time. Something that could take years of research and study to figure out and apply in the creative process may require a machine learning algorithm in a matter of hours or days. “

“I think a project like this – said the artist’s niece, Francesca Fellini – is a perfect way to honor his legacy. Although he was very inspired by his past, he was always looking to the future. A similar approach was taken for this project; it has its roots in heredity, but it is futuristic with the use of artificial intelligence ”.

Fellini’s eye is unique. He was one of the great filmmakers of all time with films that marked a before and after. Foundational part of the so-called Italian neorealism, its camera and its scripts navigated and portrayed post-war Italian and European life.

Jewels of cinematography like The sweet life, The Road O The Useless They show different points of view on the identity, economic and social crisis that was experienced in the 1950s, when Europe had to be rebuilt. His cinema was taken as an example by directors who are trending today, such as Paolo Sorrentino, Cristopher Nolan or Quentin Tarantino himself. Not to mention Martin Scorsese or Francis Ford Coppola.

That is why paying attention to everything that refers to Fellini is not pure snobbery, but a way of looking at the present with a classic and timeless eye.

“In this project,” said the executor, “he helped us understand my uncle better. He left us works full of satire and veiled with a subtle melancholy, characterized by a dreamlike and visionary style that I found in Fellini Forward“.

Maximilian Niemann gave his opinion on what the limit is between the work of the machine and that of the human being: “AI is incredibly good at generating a large volume of results, creating ideas that humans would never have thought of. But human participation is needed to implement a structure and organize those results; that is why human and machine worked so well together on this project ”.

In turn, Francesca Fellini added: “It was crucial for me that the project was a collaboration with AI rather than the machine that replaced my uncle and his genius. For me, man will always be superior to machine, since we are emotional, sensory and imaginative beings ”.

Niemann also opined on whether this project can be a starting point for how AI is used in cinematography: “The process can be very inspiring for other filmmakers and shows how human creatives can work alongside a machine to create a completely new film work. There are many other roles that AI can play within the world of cinema. He’s already helping screenwriters, colorists and editors improve their work and make their work easier and faster. ”

On the same topic, Marc D’Souza contributed: “Now there is enormous potential for humans and machines to work together in a creative capacity. While AI has not always been synonymous with creativity and emotion, projects such as Fellini Forward show how we can now harness the power of AI to improve art and film. This is a hugely exciting development: AI has the potential to help with everything from idea creation to script writing, visualization and even post-production. “

And finally, the niece of the great teacher expressed: “There is a moving phrase of the writer of science fiction William Gibson, who says:“ The future has already arrived. It just hasn’t been evenly distributed yet. ‘ Humans make mistakes, but that’s what makes us superior to machines. Today, humans are no longer the only ones who can call themselves intelligent and have the ability to make decisions and act autonomously. It is an era in which robots coexist among us, help us, connect us, collaborate with us and, above all, by interacting with us, they change us and, with us, they have the power to transform society as a whole ”.

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